REVIEWS | New Music Discoveries 007

Volume 007 of New Music Discoveries is for the overthinkers, the late-night feelers, and anyone navigating the messy beauty of being human. From BED’s aching shoegaze confessionals to Gilda House’s brooding reimagining of a classic, this week’s selection pulses with emotion, atmosphere, and honesty. These are the kinds of songs that don’t just fill silence—they speak to it.

“everything hurts” by BED

On "everything hurts", BED crafts a deeply confessional, coming-of-age sonic diary—where heartbreak, nostalgia, and fragile hope collide. With whispered interludes and post-produced vocals layered over dreamy shoegaze textures and punchy electronics, the record moves like a secret shared in confidence. It’s melancholic yet bold, delicate yet raw—a cathartic release for anyone nursing emotional bruises and craving something real. For the sensitive listener, "everything" hurts feels like both a wound and its salve.

“There’s No Time For Presents” by The Burbs

Australia’s genre-defying trio The Burbs return with “There’s No Time For Presents”, a bittersweet rock anthem packed with punchy rhythms, layered melodies, and gut-punch lyrics. Catchy yet emotionally raw, it’s a track that rewards repeated listens—offering comfort in shared uncertainty and heartbreak. With a growing catalogue and rising acclaim, The Burbs continue to prove they’re one of the most compelling acts on the scene.

“Stand” by Once Mary

Once Mary blurs the line between song and story with “Stand”, a cinematic, soul-infused meditation on love, devotion, and quiet resilience. Rooted in her background in poetry and screenwriting, the track unfolds like a memoir—intimate, haunting, and emotionally precise. With ambient textures and poetic spoken word, “Stand” marks Once Mary as a singular new voice in genre-fluid storytelling.

"I feel it too" by Yema

Edmonton-based newcomer Yema arrives with a strikingly vulnerable debut EP, "I feel it too". Blending elements of indie rock, dream pop, and bedroom pop, the project drifts between melancholy and resilience—drawing from the emotional wreckage of past relationships with unflinching honesty. Wistful and deeply personal, Yema’s dreamy soundscapes offer solace to anyone who’s ever felt unseen or unheard. A promising and poignant introduction.

“This Place” by Luke Porter

With his debut single “This Place”, out May 23rd, Luke Porter makes a bold entrance. Inspired by the timeless sentiment of Sinatra’s “My Way” and the swagger of artists like The Beatles and Arctic Monkeys, Porter blends nostalgic lyricism with indie rock charm. Recorded between Lime Tree and 258 Studios in Manchester, the track captures both grit and heart—marking a promising start for a new voice with something real to say.

“Love Club” by Sophie Breton

Sophie Breton returns with “Love Club”, a sun-soaked pop anthem laced with sass, vulnerability, and a wink at the chaos of modern romance. Her second single of 2025 dives into the tangled codes of contemporary love—equal parts thrill, confusion, and obsession. With its layered meaning and breezy confidence, “Love Club” is the soundtrack to your next summer crush and late-night overthink.

“Black and Gold” (Cover) by Gilda House

With their haunting take on “Black and Gold”, Gilda House captures the aching tension between isolation and the longing to be seen. Honed over two years of live performance, their version shimmers with atmospheric depth and emotional clarity, turning the well-known track into something intimate and freshly introspective. A slow-burn experience for those drawn to mystery, fear, and fragile connection—this cover is a gift to anyone who’s ever searched for meaning in the dark.

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