Zach Birdsong
ABOUT ME
I'm a Tennessee newspaper photographer with eight years of experience and have been shooting concerts since 2015. I've had multiple photos used by Rolling Stone, People Magazine and other outlets across the globe. I've also been fortunate enough to win international competitions for my photo skills as well as garnering 18 awards from the Tennessee Press Association.
OTHER OFFERINGS
...more...
PREFERRED GENRE:
Singer-Songwriter, Country, Alternative, Electro, Folk, Hip Hop, Indie, Jazz, Metal, Pop, Psychedelic, Punk, RnB, Rock
PREFERRED VENUE SIZE:
< 50, 50 - 250, 250 - 500, 500 - 2.000, > 2.000
GALLERY
POSTS
PHOTOS & REVIEW | Charlotte OC Captivates Maschinenhaus Berlin with Breathtaking Performance – December 4, 2025
Charlotte OC delivered a breathtaking, soulful performance at Maschinenhaus in Berlin, joined by opener Lavine. Photos and review by Chux On Tour Photography, 2025.
PHOTOS | Snake Eyes Bring Chaotic Indie-Grunge Energy to Cassiopeia Berlin – December 2, 2025
Snake Eyes tore through Cassiopeia in Berlin with a messy, loud, and electrifying indie-grunge set — perfectly matched by a chaotic flash-filled photo experiment. Photos by Chux On Tour Photography, 2025.
PHOTOS | Young Gravy Turns History in Toronto into a Slumber-Party Extravaganza – November 30, 2025
Young Gravy transformed History in Toronto into a wild, slumber-party-themed show with interactive antics, unreleased tracks, and nonstop energy. Photos by Lacey Davey, 2025.
REVIEWS | New Music Discoveries: Alt-Rock, Indie-Pop & Psych-Pop Highlights with Chaidura, Kristina Wilson & More
Explore the latest alt-rock, indie-pop, and psych-pop discoveries with our new music review, featuring standout tracks from Chaidura, Kristina Wilson, Wotts, Stomp Box Choir, and Last Relapse.
REVIEW | Ren – “Sick Sick Soul (Vol. 1)” EP: A Cinematic Journey Through Storytelling, Struggle & Unity
Ren’s "Sick Sick Soul (Vol. 1)" EP delivers cinematic narratives, emotional depth and genre-blending production across six interconnected tracks. A review by Kathrin Waschke.