Janis Hinz
Worldwide
ABOUT ME
From experiencing emotional fan moments to racing through the entire hall thirteen thousand times just to capture that one perfect photo, with me, you'll find someone who pays meticulous attention to detail, can sing along to at least half of your songs (if not all), and typically wears a smile on her lips.
OTHER OFFERINGS
I can help a bit with merch, but mostly doing video/photo and Social Media in general for you.
...more...
PREFERRED GENRE:
Alternative, Metal, Pop, Punk, Rock, Hip Hop, Indie, Singer-Songwriter, RnB
PREFERRED VENUE SIZE:
< 50, 50 - 250, 250 - 500, 500 - 2.000, > 2.000
GALLERY
POSTS
PHOTOS & REVIEW | Charlotte OC Captivates Maschinenhaus Berlin with Breathtaking Performance – December 4, 2025
Charlotte OC delivered a breathtaking, soulful performance at Maschinenhaus in Berlin, joined by opener Lavine. Photos and review by Chux On Tour Photography, 2025.
PHOTOS | Snake Eyes Bring Chaotic Indie-Grunge Energy to Cassiopeia Berlin – December 2, 2025
Snake Eyes tore through Cassiopeia in Berlin with a messy, loud, and electrifying indie-grunge set — perfectly matched by a chaotic flash-filled photo experiment. Photos by Chux On Tour Photography, 2025.
PHOTOS | Young Gravy Turns History in Toronto into a Slumber-Party Extravaganza – November 30, 2025
Young Gravy transformed History in Toronto into a wild, slumber-party-themed show with interactive antics, unreleased tracks, and nonstop energy. Photos by Lacey Davey, 2025.
REVIEWS | New Music Discoveries: Alt-Rock, Indie-Pop & Psych-Pop Highlights with Chaidura, Kristina Wilson & More
Explore the latest alt-rock, indie-pop, and psych-pop discoveries with our new music review, featuring standout tracks from Chaidura, Kristina Wilson, Wotts, Stomp Box Choir, and Last Relapse.
REVIEW | Ren – “Sick Sick Soul (Vol. 1)” EP: A Cinematic Journey Through Storytelling, Struggle & Unity
Ren’s "Sick Sick Soul (Vol. 1)" EP delivers cinematic narratives, emotional depth and genre-blending production across six interconnected tracks. A review by Kathrin Waschke.