Felix Johnny Thomasmathibalan
Worldwide
ABOUT ME
I am an award winning freelance music photographer who moved to London last year from Sweden. I have been photographing concerts for magazines in Sweden since 2014 including Gaffa which is Scandinavia's largest music magazine.
With life now in London, I am looking for an outlet to photograph for and build a base.
OTHER OFFERINGS
Accreditation management, website management
...more...
PREFERRED GENRE:
Country, Hip Hop, Rock, Psychedelic, Pop, Metal, Alternative, Singer-Songwriter, Punk, Folk, Indie, RnB
PREFERRED VENUE SIZE:
< 50, 50 - 250, 250 - 500, 500 - 2.000, > 2.000
GALLERY
POSTS
PHOTOS & REVIEW | Charlotte OC Captivates Maschinenhaus Berlin with Breathtaking Performance – December 4, 2025
Charlotte OC delivered a breathtaking, soulful performance at Maschinenhaus in Berlin, joined by opener Lavine. Photos and review by Chux On Tour Photography, 2025.
PHOTOS | Snake Eyes Bring Chaotic Indie-Grunge Energy to Cassiopeia Berlin – December 2, 2025
Snake Eyes tore through Cassiopeia in Berlin with a messy, loud, and electrifying indie-grunge set — perfectly matched by a chaotic flash-filled photo experiment. Photos by Chux On Tour Photography, 2025.
PHOTOS | Young Gravy Turns History in Toronto into a Slumber-Party Extravaganza – November 30, 2025
Young Gravy transformed History in Toronto into a wild, slumber-party-themed show with interactive antics, unreleased tracks, and nonstop energy. Photos by Lacey Davey, 2025.
REVIEWS | New Music Discoveries: Alt-Rock, Indie-Pop & Psych-Pop Highlights with Chaidura, Kristina Wilson & More
Explore the latest alt-rock, indie-pop, and psych-pop discoveries with our new music review, featuring standout tracks from Chaidura, Kristina Wilson, Wotts, Stomp Box Choir, and Last Relapse.
REVIEW | Ren – “Sick Sick Soul (Vol. 1)” EP: A Cinematic Journey Through Storytelling, Struggle & Unity
Ren’s "Sick Sick Soul (Vol. 1)" EP delivers cinematic narratives, emotional depth and genre-blending production across six interconnected tracks. A review by Kathrin Waschke.