Skylar Watkins
ABOUT ME
Skylar Watkins is a cinematographer and photographer currently working in Philadelphia, PA and available to travel/tour. Although she’s made a name for herself as The Sad Punk, Skylar has photographed a wide range of musicians across genres from rock to rap to pop and everything in between. Her other photographic work focuses on fashion and portraiture both on location and in studio.
OTHER OFFERINGS
...more...
PREFERRED GENRE:
Alternative, Singer-Songwriter, Rock, Punk, Psychedelic, Pop, RnB, Metal, Jazz, Indie, Hip Hop, Country, Electro, Folk, Other
PREFERRED VENUE SIZE:
< 50, 50 - 250, 250 - 500, 500 - 2.000, > 2.000
GALLERY
POSTS
MUST-SEES | Laneway Festival 2026: 12 Acts You Can’t Miss
Discover the essential acts at Laneway Festival 2026. From Wolf Alice’s electrifying alt-rock to Blusher’s dreamy synth-pop, here’s your ultimate must-see lineup for Australia & New Zealand’s indie celebration.
REVIEWS | New Music Discoveries: Alt-Pop, Indie-Pop & Alt-Rock Highlights with Jordan Olympus, Hollows & More
Explore the latest alt-pop, indie-pop, and alt-rock discoveries with our new music discoveries review, featuring standout tracks from Jordan Olympus, Luan Luan, Hollows, My Life As A Moth, CIRCUS, Less, and Cindy Lawson.
PHOTOS | Hanabie Storm B90 in Gdańsk with High-Energy Rock Performance - November 15, 2025
Hanabie brought high-energy rock and vibrant charisma to B90 in Gdańsk, joined by SUN for a dynamic, genre-blending night. Photos by Paulina Leśna, 2025.
PHOTOS | The Strumbellas Bring Heartfelt Indie-Folk to History in Toronto - November 14, 2025
The Strumbellas filled History in Toronto with warmth, joy, and uplifting indie-folk energy, joined by rising openers School House. Photos by Lacey Davey, 2025.
REVIEW | Louis Tomlinson – “Palaces”: A Guitar-Driven Anthem Bridging "Faith In The Future" & "How Did I Get Here?"
Louis Tomlinson’s “Palaces” delivers a guitar-driven pop sound with a powerful bridge and live-ready energy; a standout track ahead of How Did I Get Here? This review explores its impact. A review by Kathrin Waschke.